Frédéric Moronval. 2017. Vitalités linguistique et religieuse chez les Néwar bouddhistes de la vallée de Kathmandu. Thèse de doctorat en Sciences du langage – linguistique, Normandie Université. Français. NNT: 2017NORMR055. <tel-01697607> [PDF]
From the English abstract: Newari, the indigenous language of the Kathmandu valley, is considered by the UNESCO as an endangered language, […] why and to which extent both the mother tongue and Buddhism are decreasing among Newars, and what, if any, is the causal relationship linking the evolution of these two cultural features. […] Continue reading “Moronval (2017), Vitalités chez les Néwar bouddhistes”
Iain Sinclair. 2016. ‘The appearance of tantric monasticism in Nepal: a history of the public image and fasting ritual of Newar Buddhism, 980-1380’. Monash University, Melbourne: PhD diss. 418 pp., 90 illustrations, 27 tables. DOI:10.4225/03/58ab8cadcf152
Andrea Wollein. 2017. ‘An ethnographic study of the Mūl Dīpaṅkara shrine in Bhaktapur (Nepal): the relationship between people and place’. University of Vienna: M.A. thesis (Masterstudium Kultur u. Gesellschaft des neuzeitlichen Südasiens). 189 pp., 87 figures. [official notice] [author: facebook]
Abstract: This thesis presents locality specific research in the form of an ethnography that draws both from fieldwork and published scholarly literature. The inter-disciplinary research is contextualized within the wider field of South Asian Studies and pertains to Himalayan, Buddhist and Newar Studies as well as to Tibetology. It is specifically concerned with the socioreligious dimension of Newar Buddhist monasteries (Skrt. vihāra, New. bāhā and bahī), the Buddhist deity Dīpaṅkara and the configuration of the relationship between the two of them as found in the setting of the Mūl Dīpaṅkara shrine in Bhaktapur. Continue reading “Wollein (2017), The Mūl Dīpaṅkara shrine”
Dr Dina Bangdel (5.12.1965–25?.7.2017) is well known among Nepal specialists as a historian of religious art. Her 1999 dissertation, Manifesting the Mandala, and co-authored 2003 exhibition catalogue, Circle of Bliss, emphasised the visual culture of the Cakrasamvara cycle in Newar Buddhism, which is traditionally kept secret. Dr Bangdel had been planning to show a selection of this and related art on a world-travelling exhibition and was scheduled to speak at the “New Research on Newar Buddhism” panel at IABS. This week Dr Bangdel passed away, reportedly after complications following surgery. She is survived by her husband Bibhakar Shakya and two children.
(Added 2018/1/20:) ‘Remembering scholars of Nepalese Art Mary Slusser and Dina Bangdel’ (Rubin Museum of Art)
Luigi, Rogora. 2015-2016. ‘La Luce Nella Valle: Lo Svayambhūpurāṇa nel Buddhismo Nepālese’. Università degli Studi di Milano, Facoltà di Studi Umanistici. Corso di Laurea Triennale in Lettere. iv+167 pp. [academia.edu]
Note: Contains an annotated Italian translation of Svayambhūdharmadhātusamutpattinidānakathā 1.1–63.
Extract: This unique manuscript provides a list of ‘Names of Buddhist Monasteries situated within the domain of Nepal’, as its title states. Eighty-five sites are documented, written in Devanagari script in three columns: Sanskrit name – identity of main image – Newar name. […] The manuscript was written for Sylvain Lévi by the Newar Buddhist pundit Siddhiharṣa Vajrācārya (1879–1952), according to its colophon. Most likely it was produced in 1922, a year when Lévi mentions meeting with Siddhiharṣa [1929:37] as he gathered manuscripts and visited monasteries on his second trip to Nepal. […]
Feichtinger, Walter. 2011. Rituelle Pluralität und Performanz. Das Newar Festival Nyakū Jātrā Matayā in Pāṭan, Nepal. Diplomarbeit (Mag. Phil.), University of Vienna. Fakultät für Sozialwissenschaften. URN: urn:nbn:at:at-ubw:1-29510.85611.848460-1. [PDF]
Siddhiharṣa Vajrācārya, performer; A. A. Baké, photographer. [Mudrā & caryā poses]. 16mm film digitally archived at Salamandre, Collège de France. Kathmandu: 1931.
Comment: Newly emerged film of Surataśrī Mahāvihāra’s pundit Siddhiharṣa Vajrācārya (1879–1952) demonstrating mudrā and caryā poses, now digitised from 16mm reels, may be the earliest documentary footage of Newar Buddhism in existence. The film was shot in Kathmandu in 1931 by A. A. Baké at the request of Sylvain Lévi (1863–1935). (Thanks to confreres at the Collège de France for the notification and some details.)