Péter-Dániel Szántó. ‘Selected Chapters from the Catuṣpīṭhatantra’. Vol.1: Introductory study with the annotated translation of selected chapters. Vol. 2: Appendix volume with critical editions of selected chapters accompanied by Bhavabhaṭṭa’s commentary and a bibliography. D. Phil. diss., Oxford University, December 16 2012. Viewable at academia.edu [v.1, 2].
བོད་རང་སྐྱོང་ལྗོངས་སུ་ཉར་ཚགས་བྱས་པའི་ཏ་ལའི་ལོ་མའི་དཔེ་ཆ་ཀུན་བཏུས་པར་མ།
《西藏自治区珍藏贝叶经影印大全》(共61分册)
*Facsimile Edition of Palmleaf Manuscripts in the Tibet Autonomous Region: Complete Collection. 2012(?). 61 vols.
བོད་རང་སྐྱོང་ལྗོངས་སུ་ཉར་ཚགས་བྱས་པའི་ཏ་ལའི་ལོ་མའི་དཔེ་ཆ་ཀུན་བཏུས་ཀྱི་དཀར་ཆག་བསྡུས་པ།
《西藏自治区珍藏贝叶经影印大全简目》
*Facsimile Edition of Palmleaf Manuscripts in the Tibet Autonomous Region: Complete Collection. Brief Index. 2012(?).
བོད་རང་སྐྱོང་ལྗོངས་སུ་ཉར་ཚགས་བྱས་པའི་ཏ་ལའི་ལོ་མའི་དཔེ་ཆ་བྲིས་མའི་རྩ་བའི་དཀར་ཆག།
《西藏自治区珍藏贝叶经总目录》(共4册)
*Master Catalogue of Palmleaf Manuscripts in the Tibet Autonomous Region. 2012(?). 4 vols.
Zhen Liu (刘震). ‘On the Sanskrit Version of Dharmadhātustava‘. Paper presented at Buddhajayanti: The Celebration of 2600 Years of Buddha’s Enlightenment, Mahachulalongkorn University, Bangkok, 2012. [PDF]
Dr. Zhen Liu tracks down the earliest dateable source for the Dharmadhātustava — a Chinese translation of preaching attributed to Kṣitigarbha, surviving in a unique Dunhuang manuscript — and concludes: “it is obvious that before the middle of the eighth century it was not thought that Nāgārjuna authored the text” (p.10). Continue reading “Liu, On the Sanskrit Version of Dharmadhātustava (2012)”
Chandrasekhar, Chaya. Pāla-Period Buddha Images: their hands, hand gestures, and hand-held attributes. PhD Dissertation, Ohio State University, 2004. xvi+375 pp. [official site / PDF (779.3 MB)]
From the Abstract
This study identifies and classifies the Buddha images of the Pāla period (ca. eighth-twelfth centuries) of eastern India and Bangladesh. Specifically, the study examines the number of hands—whether a single pair or multiple pairs—hand gestures, and hand-held attributes of the Buddha images, and analyzes these elements in relation to the essential teachings of Mahāyāna and Vajrayāna Buddhism. […]
About 963 Buddha images among the known Pāla artistic corpus serve as the primary documents for the study.
Lee, Eun-Su. On defining Buddhist art in Bengal: the Dhaka region. PhD Dissertation, University of Texas at Austin, May 2009. 498 pp. [official site / PDF (224.3 MB)]
From the Abstract
This dissertation addresses the significance of regional developments in Indian art, focusing on the Buddhist art tradition of the Dhaka region in East Bengal from approximately the seventh to twelfth century CE.
Guess what, theists? Animals have feelings too. That’s what Cambridge scientists are now confident in saying in the wake of the recent Francis Crick Conference. Science and reason are important in a modern society, so it just became that much harder to inflict scripturally sanctioned harm on sentient beings.
This reminds me of a discussion I once had in Germany. Prof. Schmithausen, you were right to think that something was up with theistic contempt for animals. The priests you knew may have been accurate on the detail – animals don’t have souls – but they were wrong on the big picture: they don’t either. Both humans and animals have “homologous subcortical brain networks” and share “primal affective qualia”. Every body hurts; and that suppressed observation was obvious long before it became a hipster anthem.
Refer to: Anshuman Pandey, ‘N4184 Proposal to Encode the Newar Script in ISO/IEC 10646’, February 29, 2012 [PDF]. Previous discussion: here.
0. On the Name ‘Newar’
The name ‘Newar’ is preferable simply because most other options can be ruled out. ‘Nepalese’ is untenable, because it falsely implies a one-to-one relationship with the present-day nation-state, even though it is accurate within a certain (historically earlier) context. ‘Newari’ is a (now deprecated) name for the language – not the script, nor anything else; ‘Nevārī’ is quite meaningless, except to some Indologists.
The proposal, as I understand it, indeed deals with the Pracalita script, but has enough hooks to allow unification with proposals for other Newar scripts, such as Bhujiṅmola – hence ‘Newar’. (NB: It is not yet clear whether unification with Rañjanā – which is, strictly speaking, Indo-Nepalese, and which has a user base that includes many non-Newars, such as Tibetans – is feasible. In any case, much of the present and previous discussion about the Pracalita script is also applicable to Rañjanā.)
1. Additional Information On Glyph Names
11442 NEWAR FINAL ANUSVARA: Although this mark originates with the m-virāma mark used by East Indian scribes, in Nepal it has multivalent significance and in many contexts has nothing to do with nasalization (often being interchangeable with 1144B NEWAR GAP FILLER). Recommendation: Minimise phonetic/semantic description in favour of graphic description – maybe NEWAR SEMICOLON for want of a better term. Classify under Punctuation or Various Signs.
11443 NEWAR SIDDHI = शुभचिं (Shrestha NS 1132:21). There is no uniform name for this mark in Newar (esp. not the neologism bhiṃciṃ), nor is siddhi/añji recommended (not just because this designation is unknown in Nepal, but because usage may also vary; confusion with NEWAR OM is common). Recommendation: NEWAR AUSPICIOUSNESS MARK or similar.
11449 NEWAR DOUBLE COMMA: I now think this mark can be represented with two adjacent NEWAR COMMAs. Its usual behaviour of stacking diagonally (see Fig.3) rather than horizontally should however be specified. Recommendation: Remove from the repertoire.
1144B NEWAR HIGH SPACING DOT = अल्पविराम (ibid.).
1144C NEWAR ABBREVIATION SIGN CIRCLE = संक्षेपीकरण यानाः च्वयातःगु थासय् थुगु चिं (ibid.).
1145C NEWAR PLACEHOLDER MARK is the line-width equivalent of the NEWAR GAP FILLER (see below). Recommendation: Change name to NEWAR LINE FILLER MARK.
2. Morphology of the Gap Filler Mark
Following comments on earlier drafts of N4184, especially those of Kashinath Tamot, it should be clarified that the primary function of 1144B NEWAR GAP FILLER is not that of indicating a break in a word (as per the previous name SANDHI MARK), but rather of filling space up to the end of a line margin. (A hyphen indeed performs a space-filling operation as well as functioning as a word-breaking mark. However, I suggest that ‘hyphenation’ be dropped from the formal description of this mark to avoid confusion.)
The purpose of this mark has been obvious enough to specialists – recently see, e.g. Ishida (2011:ix), where it is called a ‘line-filler character’, Zeilenfüllzeichen. (In fact, this mark does not fill a line – this is the function of 1145C NEWAR PLACEHOLDER MARK; rather, it fills a space of less than one full glyph-width at the end of a margin, not necessarily the end of a line.) Nonetheless, it is easily seen that the mark could be confused with, e.g., a visarga, daṇḍa or similar. In earlier discussion on the proposal, its purpose has remained unclear to the user community, perhaps due to its unstable shape. Significantly, the NEWAR GAP FILLER MARK changes according to the width of the glyph. Its behaviour may be represented as follows:
Variations in this mark may therefore be regarded as contextual alternatives, rather than separate code points. I suggest, as per the diagram, that no more than three variants need be represented; although the glyph could conceivably incorporate four or more variations (e.g., five vertically stacked dots, at 20% character width), this is probably excessive.
Recommendation: It may be implemented as one code point with contextual alternates, or 3 or more code points corresponding to each quantum of width.
3. Swash Forms
Several glyphs may be alternatively represented with swash forms, created by extending elements of the glyph into surrounding white space. These forms do not require dedicated representation in an encoded repertoire; however, they should be included in any full description of Indo-Newar scribal culture, and font designers might want to incorporate them. Swash forms are often contextually invoked: they are used at the top line of a block of text (upward extension), but may also be seen on the bottom line (downward extension), and even more rarely at the right and left margins, and within interlinear white space. An example:
Characters routinely represented as swash forms include:
11402 NEWAR LETTER I, 11403 NEWAR LETTER II, (subscribed) 11417 NEWAR LETTER NYA, 1141D NEWAR LETTER TA, 11423 NEWAR LETTER PHA, 11425 NEWAR LETTER BHA, 11429 NEWAR LETTER LA, 1142D NEWAR LETTER SA, 1142E NEWAR LETTER HA, 1143C NEWAR SIGN VIRAMA – downward extension.
4. Revisions To Standard Forms
The following changes to standard forms are recommended – see glyphs highlighted in Fig.3, in which all glyphs have been redrawn from scratch to accord with common scribal practice. The most widespread change is that the headstroke no longer extends past the right descender (which is inconsistent with almost all scribal practice). Standard forms for VOCALIC R, VOCALIC RR, GA, SHA, dependent VOWEL SIGN II, VOCALIC R, VOCALIC RR as well as *VOCALIC L, VOCALIC LL (these should certainly be specified and named) should be altered accordingly. DIGIT ONE should also be changed in order to avoid confusion with SIDDHI.
5. Some Remaining Questions
5.2 Letter-Numerals: “There are at least 27 such Newar ‘letter numerals’… It may be possible to unify Newar letter-numbers with corresponding Brahmi characters.” The issue here, as far as I can see, is: which letter-numeral conjuncts differ from non-numeral conjuncts of the same letters (all differences should be specified). To put it another way: which letter-numeral conjuncts uniquely signify letter numerals, if any? Perhaps our European colleagues, with their extensive access to funding, institutional support and manuscript sources, could clarify the matter. (Don’t worry, we won’t hold our breath.)
5.3 “Should editorial marks be encoded on a per script basis or would be it reasonable to unify such marks in a pan-Indic block?” (Pandey 2012:13). Out of our hands, but if they aren’t unified, they should be included in the Newar block.
Marina Toumpouri [academia.edu]. ‘L’illustration byzantine du Roman de Barlaam et Joasaph’. 3 vols., 792 pp. PhD diss., Université Charles de Gaulle (Lille), 2010.
A worthy study of some real Western Buddhism:
From the Abstract
The Barlaam and Joasaph tale is a text of Buddhist inspiration which tells the story of the son of an Indian king, Joasaph, who, tired of mundane pleasures, is converted by the monk Barlaam and eventually becomes a monk. The Greek version of the Barlaam and Joasaph Romance, the work of Euthyme the Athonite (+1028), monk of Georgian origin, is datable between 975 and 987. The text is known to us in hundred and fifty nine manuscripts, among which six were illustrated, produced between the eleventh and the sixteenth century. The present work is dedicated to the study of the illustrated manuscripts.
Giovanni Verardi (appendices by Federica Barba). Hardships and Downfall of Buddhism in India. Nalanda-Sriwijaya Series 4. Delhi/Singapore: Manohar & Institute of Southeast Asian Studies, 2011. 523 pp.
Not a very catchy title, but I doubt that something more direct (say, The Hindu Extermination of Buddhism) would have been very appealing to Singapore’s Nalanda-Sriwijaya Centre, the book’s publisher.
This book is an extraordinary achievement, all the more so for it relying only indirectly, for the most part, on scriptural and epigraphic sources. Verardi’s contribution is based on something at least as useful: first-hand observation of the key sites and remains, clearly articulated in terms of long-term patterns. It is by far one of the most important contributions to the study of Buddhism in India published in a long time — though I don’t agree with everything in it, by any means. (Given the chance, I will expand on that later.) The omission of any discussion of the Theravādins’ catastrophic role, painstakingly explained in Peter Schalk’s 2002 Buddhism among Tamils volumes, has to be regarded as particularly puzzling — at least until one sees Peter Skilling’s name in the acknowledgements. But let me be clear: Verardi, who has pursued his line of inquiry for over three decades, has succeeded in making sense out of a slew of data in a way that is unlikely to be bettered for some time.