Sanskritic civilization · Tantric studies · Newar & Nusantaran Buddhism
Acri, Andrea (ed). 2016. Esoteric Buddhism in Mediaeval Maritime Asia: Networks of Masters, Texts, Icons. Nalanda-Sriwijaya Series 27. Singapore: ISEAS – Yusof Ishak Institute. xii+468 pp. ISBN: 978-981-4695-09-1 (whole book, digital), ISBN 978-981-4695-08-4 (print). [PDF: Introduction, Bibliography, Index]
Official site: ISEAS. OCLC: 958714872. TOC: Andrea Acri at academia.edu. Review: newbooks.asia
Contents Continue reading “Acri ed. (2016), Esoteric Buddhism in Mediaeval Maritime Asia”
Bühnemann, Gudrun. 2015. Śākyamuni’s Return Journey to Lumbinī ( lumbinīyātrā ): A Study of a Popular Theme in Newar Buddhist Art and Literature. Bhairawaha, Nepal: Lumbini International Research Institute. 108 pp. ISBN: 978-9937-2-9462-1
OCLC: 922971246. Vendor: amazon.com.
Continue reading “Bühnemann (2015), Śākyamuni’s Return Journey to Lumbinī (lumbinīyātrā)”
Angelo Andrea Di Castro and David Templeman (eds). Asian Horizons: Giuseppe Tucci’s Buddhist, Indian, Himalayan and Central Asian Studies. Serie Orientale Roma CVI / Monash Asia Series. Melbourne: Monash University Publishing, April 2015. xxvi+613 pp. AUD$99. ISBN (pb): 978-1-922235-33-6; (epub): 978-1-922235-34-3.
Preface …… xi
Introduction …… xix
I
Gustavo Benavides. Giuseppe Tucci, Anti-Orientalist …… 3
Francesco D’Arelli. A Glimpse of some Archives on Giuseppe Tucci’s Scientific Expeditions to Tibet: 1929–1939 …… 16
Ruth Gamble. The problem with folk: Giuseppe Tucci and the transformation of folksongs into scientific artefacts …… 45
Alex McKay. ‘A very useful lie’: Giuseppe Tucci, Tibet, and scholarship under dictatorship …… 68
Francesco Sferra. The ‘thought’ of Giuseppe Tucci …… 83
II Continue reading “Di Castro & Templeman (eds), Asian Horizons (2015)”
བསྟན་འཛིན་ལུང་རྟོགས་ཉི་མ། མཐུ་སྟོབས་རྣམ་རྒྱལ། ཨོ་རྒྱན་རིག་འཛིན། 《བོད་བརྒྱུད་ནང་བསྟན་སྔ་འགྱུར་བཀའ་གཏེར་དཀྱིལ་འཁོར་དཔེ་རིས་》 གྲུབ་དབང་རྫོགས་ཆེན་སྔ་འགྱུར་བཀའ་གཏེར་སྒྲུབ་འཕྲིན་ཕྱག་བཞེས་ཉམས་གསོ་ཆོགས་པ། བོད་ལྗོངས་མི་དམངས་དཔེ་སྐྲུན་ཁང། (ལྷ་ས་)
旦増·龍多尼瑪 / 士多尼瑪 等 (主編) 《藏传佛教坛城度量彩绘图集》 西藏人民出版社 2012年6月 680元
Tenzin Longdok Nima (ed.-in-chief.) Mandalas of Tibetan Buddhism. Lhasa: Dzogchen Monastery’s Early Tradition Canonical and Treasure Teaching Revival Group & Tibet People’s Press, 2012. xi+226+ii pp. ISBN 9787223035569.
This volume “Mandalas of Tibetan Buddhism” features over sixty detailed mandalas. It is the result of over two years of dedicated research and preparation by a group of eminent scholars from the famous Dzogchen Monastery, one of the six major monasteries of the Nyingma tradition.
四川大学中国藏学研究所（会议主办）、哈佛燕京学社（会议协办）： “7至17世纪西藏历史与考古、宗教与艺术国际学术研讨会”。 中国·成都·四川大学 2013年7月13-15日。
Center for Tibetan Studies of Sichuan University & Harvard-Yenching Institute (co-conveners). ‘International Conference On Tibetan History And Archaeology, Religion And Art (7th–17th c.)’. Sichuan University, Chengdu, China, July 13–15, 2013. [official site / 2nd circular w/ abstracts]
会议召集 人：霍 巍 教授（四川大学）、范德康 教授（哈佛大学）
Conference conveners: Prof. Huo Wei (Sichuan University) & Prof. Leonard W.J. van der Kuijp (Harvard University).
Continue reading “International Conference on Tibetan History &c. (2013-7-13)”
尼玛但增 (主编) 《罗布林卡珍藏文物辑选》 中国藏学出版社, 2011.
A Newar-copied pramāṇa manuscript? You don’t see those every day—especially in Nepal.
Chandrasekhar, Chaya. Pāla-Period Buddha Images: their hands, hand gestures, and hand-held attributes. PhD Dissertation, Ohio State University, 2004. xvi+375 pp. [official site / PDF (779.3 MB)]
This study identifies and classifies the Buddha images of the Pāla period (ca. eighth-twelfth centuries) of eastern India and Bangladesh. Specifically, the study examines the number of hands—whether a single pair or multiple pairs—hand gestures, and hand-held attributes of the Buddha images, and analyzes these elements in relation to the essential teachings of Mahāyāna and Vajrayāna Buddhism. […]
About 963 Buddha images among the known Pāla artistic corpus serve as the primary documents for the study.
Lee, Eun-Su. On defining Buddhist art in Bengal: the Dhaka region. PhD Dissertation, University of Texas at Austin, May 2009. 498 pp. [official site / PDF (224.3 MB)]
This dissertation addresses the significance of regional developments in Indian art, focusing on the Buddhist art tradition of the Dhaka region in East Bengal from approximately the seventh to twelfth century CE.
Marylin M. Rhie; Robert A. F. Thurman, contrib.; Maria R. Heim, contrib.; Paola Zamperini, contrib.; Camille Myers Breeze, contrib. Picturing Enlightenment: Tibetan Tangkas in the Mead Art Museum at Amherst College. Amherst: Mead Art Museum, August 2012. 152 pp. 71 color illus. USD$34.95. ISBN 978-0-914337-34-8. [official site]
“This lavishly illustrated book with an extensive catalogue and three essays by noted scholars, [sic] introduces the outstanding collection of eighteen Tibetan paintings in the Mead Art Museum at Amherst College.” (Exhibition Catalogue.)
Marina Toumpouri [academia.edu]. ‘L’illustration byzantine du Roman de Barlaam et Joasaph’. 3 vols., 792 pp. PhD diss., Université Charles de Gaulle (Lille), 2010.
A worthy study of some real Western Buddhism:
The Barlaam and Joasaph tale is a text of Buddhist inspiration which tells the story of the son of an Indian king, Joasaph, who, tired of mundane pleasures, is converted by the monk Barlaam and eventually becomes a monk. The Greek version of the Barlaam and Joasaph Romance, the work of Euthyme the Athonite (+1028), monk of Georgian origin, is datable between 975 and 987. The text is known to us in hundred and fifty nine manuscripts, among which six were illustrated, produced between the eleventh and the sixteenth century. The present work is dedicated to the study of the illustrated manuscripts.
