Revire (2016), The Enthroned Buddha

Nicolas Revire. 2016. ‘The Enthroned Buddha in Majesty: An Iconological Study’. PhD diss. (Religions), Université Sorbonne Paris Cité. 2 vols., 410+299 pp. HAL ID: <tel-01552082>. [PDFs: vol.1, vol.2] [author: academia.edu]

Revire 2016 p.215
Revire 2016 II:215 Figs 5.77a-b

From the Abstract: This dissertation consists of a detailed study of a particular representation of the Buddha, in which he sits on a prominent throne, i.e. a bhadrapīṭha or bhadrāsana, in a majestic posture with two legs pendant, that is, in bhadrāsana or the “auspicious pose.” This pendant-legged imagery, generally associated with a throne, has been found widely depicted in ancient religious art associated with early urban complexes and is, as a rule, mostly associated with kingship, fertility, and even divinity. […] Continue reading “Revire (2016), The Enthroned Buddha”

Mochizuki, Dīpaṃkarāśrījñāna studies

Mochizuki, Kaie 望月 海慧. [2016]. Diipamkarashuriijunyaana kenkyuu ディーパンカラシュリージュニャーナ研究 [Dīpaṃkarāśrījñāna studies]. PhD diss., Rissho University 立正大学. 1242 pp. URI: hdl.handle.net/11266/5774 [PDF]

Note: Contains critical editions of texts in Tibetan attributed to “Atiśa” Dīpaṃkarāśrījñāna, primarily those not focused on tantras, together with Japanese translations. Continue reading “Mochizuki, Dīpaṃkarāśrījñāna studies”

Acri ed. (2016), Esoteric Buddhism in Mediaeval Maritime Asia

Acri, Andrea (ed). 2016. Esoteric Buddhism in Mediaeval Maritime Asia: Networks of Masters, Texts, Icons. Nalanda-Sriwijaya Series 27. Singapore: ISEAS – Yusof Ishak Institute. xii+468 pp. ISBN: 978-981-4695-09-1 (whole book, digital), ISBN 978-981-4695-08-4 (print). [PDF: Introduction, Bibliography, Index]

Official site: ISEAS. OCLC: 958714872. TOC: Andrea Acri at academia.edu. Review: newbooks.asia

Acri 2016, Esoteric Buddhism in Mediaeval Maritime Asia

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Szántó, Selected Chapters from the Catuṣpīṭhatantra (2012)

Required reading for tantric studies specialists:

Péter-Dániel Szántó. ‘Selected Chapters from the Catuṣpīṭhatantra’. Vol.1: Introductory study with the annotated translation of selected chapters. Vol. 2: Appendix volume with critical editions of selected chapters accompanied by Bhavabhaṭṭa’s commentary and a bibliography. D. Phil. diss., Oxford University, December 16 2012. Viewable at academia.edu [v.1, 2].

Facsimile Edition of All Palmleaf MSS in the TAR (2012?)

བོད་རང་སྐྱོང་ལྗོངས་སུ་ཉར་ཚགས་བྱས་པའི་ཏ་ལའི་ལོ་མའི་དཔེ་ཆ་ཀུན་བཏུས་པར་མ།
《西藏自治区珍藏贝叶经影印大全》(共61分册)
*Facsimile Edition of Palmleaf Manuscripts in the Tibet Autonomous Region: Complete Collection. 2012(?). 61 vols.

བོད་རང་སྐྱོང་ལྗོངས་སུ་ཉར་ཚགས་བྱས་པའི་ཏ་ལའི་ལོ་མའི་དཔེ་ཆ་ཀུན་བཏུས་ཀྱི་དཀར་ཆག་བསྡུས་པ།
《西藏自治区珍藏贝叶经影印大全简目》
*Facsimile Edition of Palmleaf Manuscripts in the Tibet Autonomous Region: Complete Collection. Brief Index. 2012(?).

བོད་རང་སྐྱོང་ལྗོངས་སུ་ཉར་ཚགས་བྱས་པའི་ཏ་ལའི་ལོ་མའི་དཔེ་ཆ་བྲིས་མའི་རྩ་བའི་དཀར་ཆག།
《西藏自治区珍藏贝叶经总目录》(共4册)
*Master Catalogue of Palmleaf Manuscripts in the Tibet Autonomous Region. 2012(?). 4 vols.

61-volume Facsimile edition of Palmleaf MSS in the TAR (via Tibet TV)
Palmleaf MSS in the TAR, 61 volumes (via Tibet TV)

Continue reading “Facsimile Edition of All Palmleaf MSS in the TAR (2012?)”

Chandrasekhar, Pala-Period Buddha Images (2004)

Chandrasekhar, Chaya. Pāla-Period Buddha Images: their hands, hand gestures, and hand-held attributes. PhD Dissertation, Ohio State University, 2004. xvi+375 pp. [official site / PDF (779.3 MB)]

From the Abstract

This study identifies and classifies the Buddha images of the Pāla period (ca. eighth-twelfth centuries) of eastern India and Bangladesh. Specifically, the study examines the number of hands—whether a single pair or multiple pairs—hand gestures, and hand-held attributes of the Buddha images, and analyzes these elements in relation to the essential teachings of Mahāyāna and Vajrayāna Buddhism. […]
About 963 Buddha images among the known Pāla artistic corpus serve as the primary documents for the study.

Lee, Defining Buddhist art in Bengal (2009)

Lee, Eun-Su. On defining Buddhist art in Bengal: the Dhaka region. PhD Dissertation, University of Texas at Austin, May 2009. 498 pp. [official site / PDF (224.3 MB)]

From the Abstract

This dissertation addresses the significance of regional developments in Indian art, focusing on the Buddhist art tradition of the Dhaka region in East Bengal from approximately the seventh to twelfth century CE.

Saptaratna (Fig. 54, Khasarpana pedestal).