Sanskritic civilization · Tantric studies · Newar & Nusantaran Buddhism
Most of the painting for sale in Kathmandu’s tourist district is worthless, so I don’t mind mentioning an exception when I stumble upon it:
Bodhisattva Gallery. Baber Mahal, Kathmandu, Nepal. Tel: 977-1-4251341. [official site]
Sample: a (sold) study of Bagalamukhī by Udaya Charan Shrestha, one of the Newars’ foremost painters (and, some may recall, a one-time commenter here):
Your comments are invited on a proposal to encode the script ‘prevalent’/’in vogue’ (pracalita) in Nepal since the late fourteenth century, and which since the Shah period has continued in use in the scribal and print culture of the Newars. The proposal under discussion was submitted a month ago by Anshuman Pandey to the international standards body for character sets, WG2 under JTC1 of the ISO. Download it here:
Anshuman Pandey. ‘Proposal to Encode the Newar Script in ISO/IEC 10646’. ISO/IEC JTC1/SC2/WG2 proposal N4184 [PDF]. January 5, 2012. [Supersedes N4038, ‘Preliminary Proposal to Encode the Prachalit Nepal Script’]
Anyone can submit a proposal for consideration by WG2. However, this is not a trivial process; documents need to comply with the group’s requirements, and if I observe correctly, there are very few competing complete proposals for historic scripts. No proposal has come from the Nepalese government, Newar culture having little, if any, official status in the Shah and post-Shah nation-state. The proposal under discussion (hereafter “N4184”) is that of a private individual, in collaboration with the Script Encoding Initiative at Berkeley. Mr. Pandey has graciously agreed to consider informed feedback on his proposal, which I hope will be incorporated into future documents submitted to WG2. It is in this constructive spirit that your feedback is requested; anyone may add comments via the form the end of this post.
The present discussion should focus on the completeness and accuracy of the glyph repertoire represented in the present proposal. Matters such as the proposed name and classification of the script, the description of interaction between glyphs (e.g. conjunct formation, §4.8.1), issues related to other Nepalese or Indic scripts (except where strictly relevant) and so on should notbe discussed here. If there is sufficient interest, these matters can be addressed in separate posting(s). Here I will offer some of my own preliminary, informal feedback on the proposal, on which comments are also welcome.
N4184 aims to “encode a core set of Newar characters” (p.17). This invites the question of how “core” should be defined. I will not discuss this in depth, other to say that the standard should include those characters which are most common and most useful in this form of writing. Specifically, I propose that the characters depicted in Figs.6 and 7 below should be part of the standard. This is the repertoire proposed in N4184:
Continue reading “Nepalese Script in Unicode, 1: JTC1/WG2 N4184 Open Thread”
Niels Gutschow. Architecture of the Newars: A History of Building Typologies and Details in Nepal. 3 volumes. Serindia, November 2011. 1030 pp. USD$450 (excluding postage). ISBN 978-1-932476-54-5 [official site]
Architecture of the Newars by Niels Gutschow presents the entire history of architecture in the Valley of Kathmandu and its neighbours over a period of 1,500 years — right up to the present. It is a rare tribute to an urban culture which has preserved fascinating lifestyles to this very day. Gutschow first travelled to Nepal in 1962, returning in 1970 after reading architecture, and has constantly worked since then on the connections between ritual and the city. Since 1980 he has worked with measured drawings to identify the various building typologies, which are documented in three volumes with 862 photos and 939 drawings.
The first volume presents the complexity of the sacred landscape of the Valley and the urban context as well as the early periods, Buddhist votive structures (caityas), architectural fragments and temples from the early periods (5th–14th century). The second volume presents the Malla period (1350–1769) with a host of drawings documenting caityas, maths, tiered temples, shrines and monasteries. The third volume presents the modern period with temples and palaces of the Shaha kings and the Ranas; a variety of new caitya types; domestic architecture of the early 20th century; modern architecture and urban planning. The final chapter presents selected architectural details populated by airborne spirits in a transcultural perspective.
[preview]
Update: Book signing by the author at Vajra Books, Kathmandu, 2pm 14 December 2011.
‘Visionary Realms: An Interview with Robert Beer’. 2011. [PDF at Wisdom books or online (more pictures).]
Nice to see these informed musings on twentieth- and twenty-first-century Newar art by Robert Beer, its most accomplished Western exponent, ranging from the influence of Botticelli’s Nascita di Venere upon it to thoughts on some of its current leading lights.
There is also a plug for Robert Beer’s joint venture with Wisdom books, the commercial site tibetanart.com, offering stuff at the higher-quality end of the market.
Jessica Lynn Vantine Birkenholtz. ‘The Svasthānī Vrata Kathā Tradition: Translating Self, Place and Identity in Hindu Nepal’. PhD dissertation, University of Chicago, 2010. 337 pp. UMI Number: 3408505.
This dissertation presents an alternate social and cultural history of Nepal through the lens of a textual-historical study of the Svasthānī Vrata Kathā (SVK). A popular Nepali Hindu textual tradition, the SVK has an unbroken history that spans five hundred years and three languages (Sanskrit, Newar, and Nepali). Beginning in the sixteenth century, the text expanded from a handwritten eight-folio palm-leaf local legend on the origin of the Svasthānī vrat, or ritual vow, into a Purāṇic sourcebook of thirty-one chapters in over four hundred printed pages. The SVK’s medieval-modern historical span, the diversity of forms of its textual (re)production, and its sustained uniform core narrative provide a lens through which both immediate shifts and gradual transformations in Nepal’s literary, linguistic, social, religious, and political history can be viewed and interpreted.
Continue reading “Birkenholtz, ‘The Svasthānī Vrata Kathā Tradition’ (2010)”
Michael Allen. ‘The worship of young virgin girls as goddesses in the secular state of Nepal’. Guest lecture, 23 May 2011, 13:00-15:00, Nordic Institute of Asian Studies (Copenhagen).
In this lecture I intend to focus on some of the current debates in Nepal concerning the worship of young virgin girls as living forms of the goddess. At the heart of these debates is the issue of just what weight should be given to religious beliefs, practices and morals, in this case both Hindu and Buddhist, in what is now constitutionally a federal democratic republic formally committed to the propagation of predominantly secular ideals. Yet, prior to the success of the Maoist-led revolution in 2006, Nepal had been a Hindu monarchy of an orthodox kind in which the divine King and the virgin goddess were the twin pillars that together gave legitimacy to the state. My lecture concludes with some brief insights into just how both the goddess and the state survive today without their king – albeit somewhat precariously so.
Michael Allen is Emeritus Professor at the Department of Anthropology, University of Sydney.
NIAS, Leifsgade 33, 3rd floor, 2300 Copenhagen S.
Astrid Zotter (née Krause). ‘Pūjā-Blüten in Nepal: Bestimmungen des Puṣpacintāmaṇi‘. Universität Leipzig: PhD dissertation, 2009. [In German; PDF] 408 pp., illus.
Dr. Zotter’s dissertation on the medieval flower-offering manual Puṣpacintāmaṇi presents a critical edition of the Sanskrit and Newar texts, and discusses the role of this important work in Nepal from the reign of Pratap Malla onwards. This is a new milestone in Newar studies, and more generally another welcome contribution to the study of the transmission of Sanskrit texts and vernacular translations in medieval South Asia. A few words from the abstract (roughly translated):
The Sanskrit text Puṣpacintāmaṇi (PuCi) treats flower offerings (upacāra) in the most important worship ritual of Hinduism, the pūjā. In 400 verses, about 200 names of flowers prescribed as appropriate or inappropriate gifts for various deities and pūjās are listed. The text is a compilation (nibandha), in which the contents of 47 named source texts are reported. […]
The aim of the thesis is not only to edit this text, which was published for the first time in 1966, anew on the basis of all traditional manuscripts and to translate it for the first time, but also to fit it into its context. Here, the context of the historical development of the text, the position of the PuCi in the textual tradition and the varieties of interpretation are taken into account. […] Continue reading “Zotter, ‘Pūjā-Blüten in Nepal’; on the Puṣpacintāmaṇi (2009)”
Dozens of other Himalayan and South Asian ethnic groups are represented in the collection, which is a real mine of information for researchers in the field, well worth the cost of digitization. The copyrights — yes, they still matter — are reserved by SOAS and Nicholas Haimendorf.
Link: Fürer-Haimendorf collection, SOAS (at digital.info.soas.ac.uk/).