Rashtriya Sanskrit Sansthan. Saṃskṛtanāṭyaviṃśatikā: Twenty best Sanskrit plays in performance. New Delhi: Rāṣṭriyasaṃskṛtasaṃsthānam, 2011(?). 20 videodiscs.
Contents: (1) Jāgarūko bhava (2) Sabhikadyūtakaram (3) Bhagavadajjukīyam (4) Karṇāsvatthāmīyam (5) Cārudattam (6) Campakarāmaḥ (7) Nāgānandam (8) Madhyamavyāyogaḥ (9) Mattavilāsaprahasanam (10) Svapnavāsavadattam (11) Hāsyacūḍāmaṇiprahasanam (12) Pratijñāśvatyāmīyam (13) Abhiṣekanāṭakam (14) Mālavikāgnimitram (15) Tripuradāhaḥ (16) Pañcakalyāṇī (17) Āścaryacūḍāmaṇiḥ (18) Sītācchāyam (19) Ekapātrābhinayaḥ (20) Kauravauravam [sic].
On not reviewing Wedemeyer’s ‘Making Sense’
Currently I have no plans to review Christian Wedemeyer’s Making Sense of Tantric Buddhism (2012), but that’s not to say that it shouldn’t be reviewed. Just a couple of months after its release, it is now on the shelves of over 80 libraries. Moreover, Dr. Wedemeyer promises to publish a minimum of three more volumes on the Śrīsamāja. Hopefully someone — who isn’t me — will soon get around to a review.
Bründlmayer, ‘The Kumbheśvara temple in Lalitpur’ (2011)
Cecile Bründlmayer. Ethnography of the Kumbheśvara temple compound in Lalitpur (Patan), Nepal. Architecture, Iconography and Interaction within a sacred Landscape. Diplomarbeit, Universität Wien, 2011. 149 pp. [official site / PDF]
Mocko, ‘Demoting Vishnu: the unmaking of Nepal’s monarchy’ (2012)
Anne Taylor Mocko. Demoting Vishnu: Ritual, politics, and the unmaking of Nepal’s monarchy. PhD diss., University of Chicago, 2012. 517 pp. UMI Number 3517176.
Bühnemann, ‘Buddhist & Śaiva Iconography in Artists’ Sketchbooks from Nepal’ (2012)
Gudrun Bühnemann. The Life of the Buddha: Buddhist and Śaiva Iconography and Visual Narratives in Artists’ Sketchbooks from Nepal. By Gudrun Bühnemann, with Transliterations and Translations from the Newari by Kashinath Tamot. Lumbini: Lumbini International Research Institute, 2012. ISBN 9789937553049, 204 pp. USD$50. [available from Vajra Books]
About the Book
This book describes, analyses and reproduces line drawings from two manuscripts and a related section from a third manuscript. These are: 1) Manuscript M.82.169.2, preserved in the Los Angeles County Museum of Art (circa late nineteenth century) 2) Manuscript 82.242.1-24, preserved in the Newark Museum (from the later part of the twentieth century) and 3) A section from manuscript 440 in the private collection of Ian Alsop, Santa Fe, New Mexico (early twentieth century). The line drawings depict Hindu/Śaiva and Buddhist deities and themes, but the Buddhist material is predominant, as one would expect in artists’ sketchbooks from Patan. […]
bodhisattvagallery.com
Most of the painting for sale in Kathmandu’s tourist district is worthless, so I don’t mind mentioning an exception when I stumble upon it:
Bodhisattva Gallery. Baber Mahal, Kathmandu, Nepal. Tel: 977-1-4251341. [official site]
Sample: a (sold) study of Bagalamukhī by Udaya Charan Shrestha, one of the Newars’ foremost painters (and, some may recall, a one-time commenter here):
BnF Pelliot sanscrit MSS online
In glorious detail:
With Japan and Europe now putting significant parts their manuscript holdings online — with only beneficial consequences, it seems — let us hope that our friends in China rapidly follow suit.
Link: http://gallica.bnf.fr/
Book of the Year: ‘Hardships and Downfall of Buddhism’
Giovanni Verardi (appendices by Federica Barba). Hardships and Downfall of Buddhism in India. Nalanda-Sriwijaya Series 4. Delhi/Singapore: Manohar & Institute of Southeast Asian Studies, 2011. 523 pp.
Not a very catchy title, but I doubt that something more direct (say, The Hindu Extermination of Buddhism) would have been very appealing to Singapore’s Nalanda-Sriwijaya Centre, the book’s publisher.
This book is an extraordinary achievement, all the more so for it relying only indirectly, for the most part, on scriptural and epigraphic sources. Verardi’s contribution is based on something at least as useful: first-hand observation of the key sites and remains, clearly articulated in terms of long-term patterns. It is by far one of the most important contributions to the study of Buddhism in India published in a long time — though I don’t agree with everything in it, by any means. (Given the chance, I will expand on that later.) The omission of any discussion of the Theravādins’ catastrophic role, painstakingly explained in Peter Schalk’s 2002 Buddhism among Tamils volumes, has to be regarded as particularly puzzling — at least until one sees Peter Skilling’s name in the acknowledgements. But let me be clear: Verardi, who has pursued his line of inquiry for over three decades, has succeeded in making sense out of a slew of data in a way that is unlikely to be bettered for some time.
Hanneder et al, Utpattiprakaraṇa, Vairāgyaprakaraṇa & Mumukṣavyavahāraprakaraṇa (2011)
Jürgen Hanneder und Peter Stephan. ‘Utpattiprakaraṇa: Vorläufiger Stellenkommentar. Erste Fassung vom August 2011. Erster Teil (1–59).’ adwm.indologie.uni-halle.de/PhilKommUtpatti.pdf
‘Stellenkommentar zum Mokṣopāya: Vairāgyaprakaraṇa, Mumukṣavyavahāraprakaraṇa‘. DFG-Projekt SL40/9-1: Anonymus Casmiriensis. 15.08.2011. adwm.indologie.uni-halle.de/PhilKommVaiMu.pdf
Dinnell, ‘Sāmrājyalakṣmīpīṭhikā: An Imperial Tantric Manual from Vijayanagara’ (2011)
Darry Dinnell. ‘Sāmrājyalakṣmīpīṭhikā: An Imperial Tantric Manual from Vijayanagara’. M. A. Thesis, McGill University, 2011. 142 pp. [official site]
From the Abstract
This thesis examines the Sāmrājyalakṣmīpīṭhikā, a tantric manual for kingship created during the rule of the Vijayanagara Empire of early sixteenth-century South India. After establishing the plural, inclusive nature of religion at Vijayanagara in this period, this study identifies two crucial ways in which the text’s titular goddess Sāmrājyalakṣmī rewards kings who correctly propitiate her: firstly, by helping them to actualize god-like status on earth, and secondly, by allowing them to absolve themselves of sin (pāpa) without curbing their ability to perform the violence necessitated by their caste affiliation. In this way, Sāmrājyalakṣmīpīṭhikā articulates a solution to the classical Indian quandary of kingly dependence upon (and inferiority to) Brahmins, in the process offering kings unprecedented ritual power which translates directly into political power and, ultimately, universal overlordship (sāmrājya). The text provides another example of how tantric practices can be and were central to Indian society, aiding in statecraft and kingship.