Bühnemann, ‘Buddhist & Śaiva Iconography in Artists’ Sketchbooks from Nepal’ (2012)

Gudrun Bühnemann. The Life of the Buddha: Buddhist and Śaiva Iconography and Visual Narratives in Artists’ Sketchbooks from Nepal. By Gudrun Bühnemann, with Transliterations and Translations from the Newari by Kashinath Tamot. Lumbini: Lumbini International Research Institute, 2012. ISBN 9789937553049, 204 pp. USD$50. [available from Vajra Books]

About the Book

This book describes, analyses and reproduces line drawings from two manuscripts and a related section from a third manuscript. These are: 1) Manuscript M.82.169.2, preserved in the Los Angeles County Museum of Art (circa late nineteenth century) 2) Manuscript 82.242.1-24, preserved in the Newark Museum (from the later part of the twentieth century) and 3) A section from manuscript 440 in the private collection of Ian Alsop, Santa Fe, New Mexico (early twentieth century). The line drawings depict Hindu/Śaiva and Buddhist deities and themes, but the Buddhist material is predominant, as one would expect in artists’ sketchbooks from Patan. […]

Lin, ‘The Wish-Fulfilling Vine in Tibet’ (2011)

Nancy Grace Lin. ‘Adapting the Buddha’s Biographies: A Cultural History of the Wish-Fulfilling Vine in Tibet, Seventeenth to Eighteenth Centuries’. PhD diss., University of California at Berkeley, 2011. 319 pp. ISBN 9781267228482, ProQuest ID 928450843.

From the Abstract

The Wish-Fulfilling Vine of Bodhisattva Avadānas (Skt. Bodhisattvāvadānakalpalatā, Tb. Byang chub sems dpa’i rtogs pa brjod pa dpag bsam gyi ’khri shing) by Kṣemendra is an eleventh-century Sanskrit anthology of stories about the previous existences of the Buddha and his disciples, along with events from the Buddha’s final life. Translated into Tibetan circa 1270 and incorporated into the Tibetan Buddhist canon, by the seventeenth century the Vine occupied a place of high prestige in Tibet. I argue that adaptations of the Vine—condensed literary digests, paintings, and woodcuts—constitute sophisticated forms of commentary that reveal the ingenuity and concerns of their producers. […]

In Chapter One I trace how the Fifth Dalai Lama (1617-1682) and his court popularized the Vine through public instruction, paintings, and literary activities. These conspicuously cultured displays promoted renewed interest in Sanskrit and the Indic origins of Buddhism, while contributing to broader projects of knowledge production and state-building. In Chapter Two I demonstrate how the lay Pho lha dynasty (r. 1728-1750) appropriated the Vine, sponsoring two large-scale multimedia productions while developing models for lay kingship and patronage. In Chapter Three I argue that Si tu Paṇ chen Chos kyi ’byung gnas (1700-1774), an influential monk of Sde dge in eastern Tibet, articulated his vision of the ideal monastic through the design of Vine paintings and other literary and visual productions on the Buddha’s life. In Chapter Four I study Zhu chen Tshul khrims rin chen (1697-1774), court chaplain of Sde dge, and his work on the Vine as commentaries on cultural production.

Painting the Avadānakalpalatā (Lin 2011:319).

Gutschow, ‘Architecture of the Newars’ (2011)

Niels Gutschow. Architecture of the Newars: A History of Building Typologies and Details in Nepal. 3 volumes. Serindia, November 2011. 1030 pp. USD$450 (excluding postage). ISBN 978-1-932476-54-5 [official site]

From the Abstract

Architecture of the Newars by Niels Gutschow presents the entire history of architecture in the Valley of Kathmandu and its neighbours over a period of 1,500 years — right up to the present. It is a rare tribute to an urban culture which has preserved fascinating lifestyles to this very day. Gutschow first travelled to Nepal in 1962, returning in 1970 after reading architecture, and has constantly worked since then on the connections between ritual and the city. Since 1980 he has worked with measured drawings to identify the various building typologies, which are documented in three volumes with 862 photos and 939 drawings.

Buddhist monasteries (bāhā, bahī); Gutschow (2011:707, 724)

The first volume presents the complexity of the sacred landscape of the Valley and the urban context as well as the early periods, Buddhist votive structures (caityas), architectural fragments and temples from the early periods (5th–14th century). The second volume presents the Malla period (1350–1769) with a host of drawings documenting caityas, maths, tiered temples, shrines and monasteries. The third volume presents the modern period with temples and palaces of the Shaha kings and the Ranas; a variety of new caitya types; domestic architecture of the early 20th century; modern architecture and urban planning. The final chapter presents selected architectural details populated by airborne spirits in a transcultural perspective.

[preview]

Update: Book signing by the author at Vajra Books, Kathmandu, 2pm 14 December 2011.

Meinert, ‘Buddha in der Jurte’, forthcoming (2011)

Meinert (2011), Buddha in der JurteCarmen Meinert (ed.) with contributions from Andrey Terentyev. Buddha in der Jurte: Buddhistische Kunst aus der Mongolei (Buddha in the Yurt: Buddhist Art from Mongolia). Hirmer Verlag, forthcoming (October 2011). “~750” pp., ~550 Illus. ISBN: 978-3-7774-4231-0.

Official Description
As Buddhist art reached 17th Century Mongolia, it became an established element in the life of believers. These volumes show a representative selection of exquisite objects from a singular private collection and reflect the range of influences from Tibet to the Manchurian Qing dynasty.

[Multi-volume set; to be published in English/Russian and German/Mongolian]

Bühnemann, ‘The Buddha’s Journey to Lumbinī’ (2011/06/11)

Gudrun Bühnemann. ‘The Buddha’s (Return) Journey to Lumbinī (lumbinīyātrā).’ Wiener Zeitschrift für die Kunde Südasiens vol. 54 (in press; to appear in November 2011).

Prof. Bühnemann’s upcoming presentation of selected findings in Nepal was announced today on sanskritbuddhism:

Date: June 11, 2011
Time: 3 pm
Venue: Kholcha Pokhary, Manimarga, Chakupat 22 (NIEM Library Building), Lalitpur

According to Newar Buddhists, Śākyamuni Buddha visited his birthplace Lumbinī after his enlightenment. Depictions of this journey became popular in nineteenth- and twentieth-century Nepal. They show the Buddha riding standing up on a snake while being attended by Hindu deities in service to him. The scene, known as the lumbinīyātrā, is represented in numerous paintings and in wood and metal work, and is also described in texts. This strand of the Buddha legend is specific to Newar Buddhism and not attested in Indian biographic or hagiographic accounts of the Buddha’s life. In this paper I will trace the history of the lumbinīyātrā theme by examining descriptions in texts and artistic representations. I will then discuss elements of the yātrā which are also found independently in other contexts. In conclusion, I will offer some thoughts on the significance of the lumbinīyātrā theme.

Nrityamandalavihara-Lumbiniyatrapaubha
Gautamavajra Vajrācārya, Lumbinīyātrā paubhā (Nṛtyamaṇḍala-Mahāvihāra, Portland), NS 1125