Posted on

Revire (2016), The Enthroned Buddha

Nicolas Revire. 2016. ‘The Enthroned Buddha in Majesty: An Iconological Study’. PhD diss. (Religions), Université Sorbonne Paris Cité. 2 vols., 410+299 pp. HAL ID: <tel-01552082>. [PDFs: vol.1, vol.2] [author: academia.edu]

Revire 2016 p.215
Revire 2016 II:215 Figs 5.77a-b

From the Abstract: This dissertation consists of a detailed study of a particular representation of the Buddha, in which he sits on a prominent throne, i.e. a bhadrapīṭha or bhadrāsana, in a majestic posture with two legs pendant, that is, in bhadrāsana or the “auspicious pose.” This pendant-legged imagery, generally associated with a throne, has been found widely depicted in ancient religious art associated with early urban complexes and is, as a rule, mostly associated with kingship, fertility, and even divinity. […] Continue reading “Revire (2016), The Enthroned Buddha”

Posted on

Longdok Nima (2012), Mandalas of Tibetan Buddhism

བསྟན་འཛིན་ལུང་རྟོགས་ཉི་མ། མཐུ་སྟོབས་རྣམ་རྒྱལ། ཨོ་རྒྱན་རིག་འཛིན། 《བོད་བརྒྱུད་ནང་བསྟན་སྔ་འགྱུར་བཀའ་གཏེར་དཀྱིལ་འཁོར་དཔེ་རིས་》 གྲུབ་དབང་རྫོགས་ཆེན་སྔ་འགྱུར་བཀའ་གཏེར་སྒྲུབ་འཕྲིན་ཕྱག་བཞེས་ཉམས་གསོ་ཆོགས་པ། བོད་ལྗོངས་མི་དམངས་དཔེ་སྐྲུན་ཁང། (ལྷ་ས་)

旦増·龍多尼瑪 / 士多尼瑪 等 (主編) 《藏传佛教坛城度量彩绘图集》 西藏人民出版社 2012年6月 680元

Tenzin Longdok Nima (ed.-in-chief.) Mandalas of Tibetan Buddhism. Lhasa: Dzogchen Monastery’s Early Tradition Canonical and Treasure Teaching Revival Group & Tibet People’s Press, 2012. xi+226+ii pp. ISBN 9787223035569.

From the Preface

This volume “Mandalas of Tibetan Buddhism” features over sixty detailed mandalas. It is the result of over two years of dedicated research and preparation by a group of eminent scholars from the famous Dzogchen Monastery, one of the six major monasteries of the Nyingma tradition.

དཔལ་དུས་ཀྱི་འཁོར་ལོའི་ཚོན་ལྡན་དཀྱིལ་འཁོར། (2012:112-113)
དཔལ་དུས་ཀྱི་འཁོར་ལོའི་ཚོན་ལྡན་དཀྱིལ་འཁོར། (2012:112-113)
Posted on

Chandrasekhar, Pala-Period Buddha Images (2004)

Chandrasekhar, Chaya. Pāla-Period Buddha Images: their hands, hand gestures, and hand-held attributes. PhD Dissertation, Ohio State University, 2004. xvi+375 pp. [official site / PDF (779.3 MB)]

From the Abstract

This study identifies and classifies the Buddha images of the Pāla period (ca. eighth-twelfth centuries) of eastern India and Bangladesh. Specifically, the study examines the number of hands—whether a single pair or multiple pairs—hand gestures, and hand-held attributes of the Buddha images, and analyzes these elements in relation to the essential teachings of Mahāyāna and Vajrayāna Buddhism. […]
About 963 Buddha images among the known Pāla artistic corpus serve as the primary documents for the study.

Posted on

Lee, Defining Buddhist art in Bengal (2009)

Lee, Eun-Su. On defining Buddhist art in Bengal: the Dhaka region. PhD Dissertation, University of Texas at Austin, May 2009. 498 pp. [official site / PDF (224.3 MB)]

From the Abstract

This dissertation addresses the significance of regional developments in Indian art, focusing on the Buddhist art tradition of the Dhaka region in East Bengal from approximately the seventh to twelfth century CE.

Saptaratna (Fig. 54, Khasarpana pedestal).
Posted on

Tanaka, ‘Art of Thangka 6’ (2012)

田中公明 『チベット仏敎絵画集成 : タンカの芸術 ハンビッツ文化財団蔵』 第6卷 臨川書店; ハンビッツ文化財団 15,750円

Tanaka, Kimiaki (ed.), Rolf W. Giebel (tr.) Art of Thangka: From the Hahn Kwang-ho Collection. Volume 6. Kyoto/Seoul: Rinsen Book Co. & The Hahn Cultural Foundation, 2012. 266 pp. ISBN-13: 978-4653041245 [amazon.jp / rakuten.co.jp]

An illustrated Kum nye manuscript (p.238).