Tachikawa, Essays in Buddhist Theology (2012)

Tachikawa, Musashi. Essays in Buddhist Theology. Delhi: Motilal Banarsidass, November 2012. ISBN-13: 978-8120835405. INR 500. [official]

A translation of Budda no tetsugaku (1998) [corrected].

Cover note
“Buddhism does not recognize a concept of the existence of God (theos) such as found in Christianity, but here theos is not used to refer only to an absolute deity like the Christian god. By “theology,” the author means the systematic delineation of the confrontation with the condition of the times while carrying on the engagement between the divine and oneself.
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Liu, On the Sanskrit Version of Dharmadhātustava (2012)

Zhen Liu (刘震). ‘On the Sanskrit Version of Dharmadhātustava‘. Paper presented at Buddhajayanti: The Celebration of 2600 Years of Buddha’s Enlightenment, Mahachulalongkorn University, Bangkok, 2012. [PDF]

Dr. Zhen Liu tracks down the earliest dateable source for the Dharmadhātustava — a Chinese translation of preaching attributed to Kṣitigarbha, surviving in a unique Dunhuang manuscript — and concludes: “it is obvious that before the middle of the eighth century it was not thought that Nāgārjuna authored the text” (p.10).
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Tanaka, Samājasādhanavyavastholī 4 (2012)

田中公明 「『秘密集会』における勝義の曼荼羅について : Nāgabodhiの『安立次第論』第4章サンスクリット写本ローマ字化テキスト」 『東洋文化研究所紀要』 第162册, 2012.

Tanaka, Kimiaki. ‘Nāgabodhi’s *Samājasādhanavyavasthālī: The Tibetan Translation and Sanskrit Text of Chapter IV’. Memoirs of the Institute of Oriental Culture 162, 2012, pp.282(61)―267(76). [URI/PDF]

Chandrasekhar, Pala-Period Buddha Images (2004)

Chandrasekhar, Chaya. Pāla-Period Buddha Images: their hands, hand gestures, and hand-held attributes. PhD Dissertation, Ohio State University, 2004. xvi+375 pp. [official site / PDF (779.3 MB)]

From the Abstract

This study identifies and classifies the Buddha images of the Pāla period (ca. eighth-twelfth centuries) of eastern India and Bangladesh. Specifically, the study examines the number of hands—whether a single pair or multiple pairs—hand gestures, and hand-held attributes of the Buddha images, and analyzes these elements in relation to the essential teachings of Mahāyāna and Vajrayāna Buddhism. […]
About 963 Buddha images among the known Pāla artistic corpus serve as the primary documents for the study.

Lee, Defining Buddhist art in Bengal (2009)

Lee, Eun-Su. On defining Buddhist art in Bengal: the Dhaka region. PhD Dissertation, University of Texas at Austin, May 2009. 498 pp. [official site / PDF (224.3 MB)]

From the Abstract

This dissertation addresses the significance of regional developments in Indian art, focusing on the Buddhist art tradition of the Dhaka region in East Bengal from approximately the seventh to twelfth century CE.

Saptaratna (Fig. 54, Khasarpana pedestal).

Min Bahadur Shakya, 1951-2012

मीन बहादुर शाक्य जु
हिरण्यवर्णमहाविहार (क्वा बाहा) अवस्थित, यल
जन्म मिति— ने. सं. १०७१ (वि. सं. माघ ४, २००७)
दिवंगत मिति— ने. सं. ११३२ (वि. सं. आश्विन २, २०६९)

Johnson, Candrakīrti’s Saṃskṛtārthapratiṣedha (2012)

Johnson, Dennis. ‘Refuting the conditioned: the Saṃskṛtārthapratiṣedha of Candrakīrti’s Catuḥśatakaṭīkā’. Diplomarbeit, Universität Wien (Philologisch-Kulturwissenschaftliche Fakultät), 2012. [official / PDF]

From the Abstract

The original Sanskrit text of CŚṬ is available only in form of fragments that cover about one third of the work, and there is a critical edition of these, based on a single manuscript (Suzuki 1994). A complete Tibetan translation by Sūkṣmajñāna and Nyi ma grags is contained in the bsTan ‘gyur (P. vol. 96, 5266 ya 33b4-273b6; D. ya 30b6-239a7; C. ya 29a6-236a7; N. ya 34b2-246a6).Furthermore, there is an English translation of the verse text (Lang 1986), but not of the commentary, for which there are but translations of single chapters into different languages (Lang 1976 and 2003; Tillemans 1990 are the English ones).

The thesis further contributes to this work by presenting a translation and summary of the hitherto unaddressed chapter of CŚṬ XV, on the basis of the remaining Sanskrit text (in this case CŚṬ XV.18-25) and a critical edition of the Tibetan translation.