Alex R. Furger. 2017. The gilded Buddha: The traditional art of the Newar metal casters in Nepal, with a contribution by Ratna Jyoti Shakya. Basel/Frankfurt a. M.: LIBRUM Publishers & Editors. ISBN: 978-3-906897-06-6. DOI:10.19218/3906897066. [official] [PDF 🔓]
Note: This extraordinary book covers almost every conceivable aspect of metalworked image production in the Newar Buddhist community.
Extract: This unique manuscript provides a list of ‘Names of Buddhist Monasteries situated within the domain of Nepal’, as its title states. Eighty-five sites are documented, written in Devanagari script in three columns: Sanskrit name – identity of main image – Newar name. […] The manuscript was written for Sylvain Lévi by the Newar Buddhist pundit Siddhiharṣa Vajrācārya (1879–1952), according to its colophon. Most likely it was produced in 1922, a year when Lévi mentions meeting with Siddhiharṣa [1929:37] as he gathered manuscripts and visited monasteries on his second trip to Nepal. […]
Feichtinger, Walter. 2011. Rituelle Pluralität und Performanz. Das Newar Festival Nyakū Jātrā Matayā in Pāṭan, Nepal. Diplomarbeit (Mag. Phil.), University of Vienna. Fakultät für Sozialwissenschaften. URN: urn:nbn:at:at-ubw:1-29510.85611.848460-1. [PDF]
Abstract: This diploma thesis is about the plural ritual praxis of a religious festival of the Newars in the city of Pāṭan, within the Kathmandu Valley in Nepal. The Nyakū Jātrā Matayā serves as a stage for the living and dead, gods and demons, as well as the beliefs of two religious systems and a globalized society that is at the same time deep-rooted in tradition. Continue reading “Feichtinger (2011), Rituelle Pluralität und Performanz [Nyakū Jātrā Matayā]”