Furger (2017), The Gilded Buddha

Alex R. Furger. 2017. The gilded Buddha: The traditional art of the Newar metal casters in Nepal, with a contribution by Ratna Jyoti Shakya. Basel/Frankfurt a. M.: LIBRUM Publishers & Editors. ISBN: 978-3-906897-06-6. DOI:10.19218/3906897066. [official] [PDF 🔓]

Note: This extraordinary book covers almost every conceivable aspect of metalworked image production in the Newar Buddhist community.

Furger 2017:147 Figs. 258 [Bhairava at the entrance to the BhairavnathTemple in Bhaktapur], 259 [Man Jyoti Shakya (1917–1991) in 1973], 260 [Two pages from a sketchbook (ṭhyāsaphu) for metal craftsmen.]

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Sinclair (2017), Nepālamaṇḍalābhyantara-gata-buddhavihāranāmāni

Sinclair, Iain (traduction Caroline Riberaigua). 2017. Nepālamaṇḍalābhyantaragata-buddhavihāra-nāmāni = Noms des monastères bouddhiques de la région du Népal. Salamandre, Collège de France. [PDF (en Français, ébauche, 5 mai)]

Extract: This unique manuscript provides a list of ‘Names of Buddhist Monasteries situated within the domain of Nepal’, as its title states. Eighty-five sites are documented, written in Devanagari script in three columns: Sanskrit name – identity of main image – Newar name. […] The manuscript was written for Sylvain Lévi by the Newar Buddhist pundit Siddhiharṣa Vajrācārya (1879–1952), according to its colophon. Most likely it was produced in 1922, a year when Lévi mentions meeting with Siddhiharṣa [1929:37] as he gathered manuscripts and visited monasteries on his second trip to Nepal. […]

MS-SL 60 [Nepālamaṇḍalābhyantaragata-buddhavihāra-nāmāni], c. 1922, Collège de France, Institut d’Etudes indiennes, Origine: Sylvain Lévi (collectionneur).

Feichtinger (2011), Rituelle Pluralität und Performanz [Nyakū Jātrā Matayā]

Feichtinger, Walter. 2011. Rituelle Pluralität und Performanz. Das Newar Festival Nyakū Jātrā Matayā in Pāṭan, Nepal. Diplomarbeit (Mag. Phil.), University of Vienna. Fakultät für Sozialwissenschaften. URN: urn:nbn:at:at-ubw:1-29510.85611.848460-1. [PDF]

Abbildung 6.28: Gesellschaftskritik und die Einflüsse einer globalisierten Welt, Matayā 18.08.2008

Abstract: This diploma thesis is about the plural ritual praxis of a religious festival of the Newars in the city of Pāṭan, within the Kathmandu Valley in Nepal. The Nyakū Jātrā Matayā serves as a stage for the living and dead, gods and demons, as well as the beliefs of two religious systems and a globalized society that is at the same time deep-rooted in tradition. Continue reading “Feichtinger (2011), Rituelle Pluralität und Performanz [Nyakū Jātrā Matayā]”